BANGKOK — An indie cinema will hold a one-time screening of the 1999 sci-fi classic, “The Matrix,” this Saturday – your chance to relive Neo choosing between the red and blue pill, as well as lots of slow-motion bullet dodging.Sure to please dads everywhere, the Bangkok Screening Room will screen “The Matrix” at 3:45pm Saturday to celebrate the movie’s 20th anniversary.“It was a really revolutionary film for its time and it’s timeless, no matter how many times you watch it,” theater co-founder Sarinya Manamuti said. “It’s also a cult film. I hope that a lot of people who were too young to see it in theaters when it came out will get a chance to do so now.”cost 300 baht for adults, 250 baht for students, and 200 baht for children under 12.
![]() Matrix Bullet Dodge
It's been almost two decades since the Wachowskis delivered The Matrix to theaters, stunning audiences with its visual dynamism while blowing their minds with a crazy futuristic concept that actually almost seemed plausible. (In retrospect, its foundational philosophy was essentially Plato's ' for the digital age, but still. It was heavy.)What was most unforgettable about the film—apart from that head-scratcher of a, of course—was the sheer badassery of its fight scenes.
Never before had classic martial arts been matched with such incredible visual effects, and sheer existentialism, all in the same space. It was nothing short of an exhilarating entertainment experience, and even after all these years, the film's fight scene feats still hold up. Here's a look at how they pulled it off. When envisioning the fight scenes that might fit into the multi-dimensional universe they'd created with this story, the Wachowskis were heavily influenced by Hong Kong's action film repertoire. 'We have always wanted to bring Hong Kong wire stunt and fight sensibilities into our Western story ideas,' they told. 'This was the perfect opportunity.' The pair were particularly inspired by Yuen Wo Ping, a stunt and wirework specialist who counted producer Joel Silver among his fans. With his blessing, the Wachowskis and executive producer Barrie Osborne recruited Ping to help guide the actors in using wires for stunts that would allow their actors to suspend mid-air, as in Neo (Keanu Reeves) and Agent Smith's gravity-defying subway shootout.
In order to secure Ping's involvement, the cast had to train in kung fu and show commitment to the discipline. This meant the actors spent four months in a demanding martial arts training course before they ever stepped foot onto the sets. 'It was really intense, but it was a lot of fun,'.
'I believe we were the first western actors to work in this particular style, and I feel tremendously grateful to have had that opportunity.' Considering the thesps were also required to do actual homework and read several philosophical treatises, the preparative intensity for this picture was quite high—which might help explain why, as seen videos from the film's production, the actors were able to do a lot of their own stunt work. Reeves paid tribute to Bruce Lee's cinematic sparring style in several moments throughout the film. Cara memindahkan aplikasi persediaan ke laptop lain 2017. In one, Neo rubbed his nose with his thumb, adopting the icon's signature gesture, and in another, he left his leg extended mid-air after a side kick, just as Lee did in Enter the Dragon.
Also the subject of an unlikely homage: Wile E. The Wachowskis called back to the character's ability to escape a long fall unscathed during the moment when Neo first tries his hand (er, feet) at jumping from building to building in the simulation. Visual artist John Gaeta, impressed with the Wachowskis' script, joined forces with the effects team at Manex VFX after introducing what would become known as ',' a revolutionary camera process that allowed a shot to appear as though the camera was moving at normal speed while everything in frame is moving in slow motion. It was named for the scene in which time seems to slow down for Neo as he dodges a series of bullets, showing his adroitness of motion with a stunningly unique (for the time) visual treat.In a nutshell, this slick technique involved setting up a series of still-frame cameras which were triggered simultaneously to '.' Gaeta, who shares an Academy Award with the Manex team for their work on The Matrix, was originally inspired by a similar method used by Japanese filmmaker Otomo Katsuhiro's Akira.
When Neo and Trinity hijack a helicopter to gain access to the room where Morpheus is being held, the scene was filled with plenty of real rain (can you even imagine the actors' prune toes?) but also a good deal of computer-generated imaging. Not only was the 'bullet time' effect used to show Morpheus being shot in the leg, but the (model-sized for shooting purposes) chopper was ditched and eventually crashed into the side of building, causing a digitally created ripple effect that was quickly followed by a wave of real, well-timed circular explosions filmed with stunt glass.
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